limited edition 45 for record store day, 2017. cover by jean andre.
mayer hawthorne and jake one are tuxedo. “thank you” is a bonus track to their second album, tuxedo ii, which fnds them at the forefront of a new wave of gangster boogie - one that owes as much to g-funk as p-funk. this is the territory of pre- and post hydraulic low riders: a mélange of cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.

jack patterns signature sound on lustpoderosa is getting darker like this world. 180g black vinyl, silk screen printed cover, with vocals from the legendary unknownmix singer magda vogel on a1. very limited - vinyl only.

the casino edits series continues with two more disco-inspired dj tools, ready to compromise the structural integrity of any neighbourhood discotheque. casino times tackle the a side, taking a cover of an early blues classic and cutting it up into an unconventional flamenco-italo hybrid. whilst on the flip, we welcome longtime friend and banoffee pies affiliate malcolm to the series, with his driving interpretation of a dial tone infused, late 70s ny disco jam..

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent...house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 2 you ll find a high energy disco rub from parisian s3a, a truly deep and soulful vocal jam from boddhi satva & sly johnson, a deep uk garage production from smbd (aka simbad), a dark and electronic affair from toto chiavetta (yoruba) and finally a musical acid number with that magical bristol touch from newcomer marcel lune. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style

(12inch vinyl individually hand stamped center labels, and front cover) if music is a language that brings people together, then otb is a small dictionary of newly invented words, each artist having his own unique narrative.the stone circle ep, otb010, is aggboroughs fourth installment on the label and is a continued exploration of his signature style, full of field recordings to add atmospheric and percussive sounds

neue maxi der österreichischen produzentin clara moto nach ihrem debütalbum -polyamour- in 2010, ebenfalls auf infiné. die vier neuen tracks variieren zwischen post-dubstep, balearic-techno und cineastischen soundtrack-klangwelten. sehr interessant ist ihr cover von chris isaaks -wicked game- mit dem griechen lee burton und seiner vocalpartnerin mimu on vocals. clara motos neues album -blue distance- ist für november 2013 angekündigt.

ata00bs will be released in a number stamped edition, with full cover art made by pepe and will be sealed / shrinkwrapped

optimo music presents -miracle steps (music from the fourth world 1983 - 2017), a 2 x lp compilation of fourth world music compiled by jd twitch & fergus clark. also available as a digital release.

im klanggarten is the very first release on frank wiedemanns newly established bigamo label by the musician, video artist, author and dj rainer buchmüller aka fred und luna. it began as an homage to german electronic music of the 70s and 80s known as kraut. however, rainer gives his style its own name: elektrokraut or krautelektro, in which he blends kraut elements, such as repetitive rhythms, with beautiful melodies and modern electronic sounds. this lp comes as a double vinyl in a gatefold cover!

nach seinem apokalyptischen album -callus- (2016), das die kritiker frenetisch abfeierten, veröffentlicht gonjasufi nun mit -mandela effect- eine neue, limitierte kollektion an remixes, covern und neuer musik. unterstützend dabei wirkten viele seelenverwandte musikerkollegen wie daddy g (massive attack), shabazz palace, anna wise, tony allen, ras g und king britt. der sufi selbst covert den düsteren rustin mann/beth gibbons-tune -slow-. beide physischen formate sind streng limitie

in its five years dgtl has carved its style and sound worldwide as one of amsterdams staple dance music institutions. this year the organisation is deepening its focus and vision. therefore dgtl is launching its own imprint dgtl records. the label builds on the festivals musical theme of an evocative cross section of the sounds and styles showcasing forward thinking, cutting edge artists. the one to kick off the new imprint will be the bulgarian hardware wizard kink. best known for his live performances, teemed with explosive energy, which for a consecutive year puts him to the no.1 spot of live acts on ra poll, he is also one of houses most in demand producers. kink has worked with dgtl for quite some time, including last years audiovisual installation transmission tower, where the first track neutrino was born. the melodic neutrino , kicks off with syncopating bassline. its interconnecting layers organically jump over and under each other, reflecting the organic character of kinks live performances, where every knob touch and turn matters. on the latter, he built the b-sider dynamo: i loaded my favourite element from neutrino in my computer and i tweaked the sound through various weird devices in my studio, till it sounded like a completely new track. as usual, he added a few endless loops on the record, for the adventurous djs, exclusively for the 12inch. the idea for the dgtl records artwork is to feature a different visual/graphic artist from the dgtl art program every year starting with the cover from tim buiting and his graphical visual of the liege train station, designed by calatrava for this years releases.

following on from his recent well-received 12 on cin cin and previous releases on respected labels such as hivern and permanent vacation. we are excited to present this three track 12inch anya s piano the first taste of the forthcoming debut lp from new jackson from night to night. the title track is a slow building double bass led boogie house groover with saxophonist terry edwards pj harvey/gallon drunk adding more depth to its layered, rich melodic texture. the flipside features two non lp tracks - the ghostly rave sound of in my room with the new jackson signature sound of dusty boogie synths and vocoder of leave me making closing out the 12 inch. beautiful cover photo by richard gilligan, all put together as ever by practice and theory.

‘mind fiction’, kaczor s first release, comes with organic artwork such as a growing plant cover and simple yet sleek thai design inspired by a recent tour to southeast asia. the ep serves as a perfect example for kaczor s own artistic vision: moody textures and mellower grooves meeting his trademark raw and gritty, forceful attack-laden release of rolling drums, bass and percussion, pointing to kaczor s own roots in the more stormy outbacks of broken beats or uk bass. first track ‘balance’ starts off with a softer, textured soundscape, nicely balancing melancholy synth waves and drum rattles into an atmospheric opener with a slowly oncoming and unfurling, melodic twist. the title track ‘mind fiction’ more closely follows kaczors very own signature formula of a simple and driving bassline followed by an evocative build-up rushing into an emotional, cathartic breakdown. ‘asta’ might be kazcor s most daring and trippy production to date: an intense mixture between hypnotic, hard hitting thumps and thunderous rolling drums taking the listener into the electrifying whirl of a night-time storm, where the tense and dense, humid atmosphere culminates in a monsoon-like rainfall of spiralling reverb – marking a fitting crescendo for this impressive debut on kaczor s now very own sonic ground.

hike: cristal clear lakes, impressive mountains, soothing forests and berlin techno music.
the königstuhl is the highest peak in the lower odenwald forest. at its top, an amazing view awaits you - over the neckar valley, rhine lowlands and on a clear day even as far as alsace. high above the university town you will find peace and tranquillity on the numerous footpaths. you can experience the surrounding forests in a unique way on the “via naturae” walking route or the forest adventure trail. on the opposite side of the neckar river, you will find the beautiful “philosophers walk”. in this area you can stumble over beautiful beryll minerals, like the one we used for our cover.

robo arigo is an extraordinary multi-instrumentalist from nigeria’s ogun state. a founding member of pogo ltd, he played bass, guitar and organ on both their albums and plays all kinds of instruments, including cowbell, on sexy thing too. one listen to the record, however, (and a quick look at the back of the cover), and it’s pretty clear that playing bass is where robo’s heart lay. especially when he gets to slap it.

special remarks 12 with printed deluxe 4c full cover sleeve yore proudly presents bxt a new superdupa group from detroit, consisting 3 legends: eddie fowlkes, amp fiddler and niko marks. talents which are no strangers to say the least. you know what to expect. detroit in the house at its best and this is just the beginning.

the lord of the flies has awoken ! ancient demons wielding new technology to bend the will of the weak towards the decadance of the dance. beelzedubs arrives, like the prophetic, sonic alarm of the forthcoming apocalypse, and urges us to get down for the devil ! yes, these are household names in uk dancefloor destruction, but the rules of these darkest of arts means they must operate under cover of night summoning the most powerful modern clubbery, forged in purgatory, played in paradise !

repress in white cardboard sleeve.
claremont 56 has always had close links with japan’s vibrant music scene, with founder paul ‘mudd’ murphy making annual trips for djing and live performances. it’s perhaps unsurprising, then, that the label’s latest limited-edition vinyl release comes from japanese outfit okinawa delays, a project founded by producer, dj and long-time friend of the label takeo.
some of you may already be familiar with okinawa delays thanks to 2016’s hana, a cover of a popular 1995 j-pop hit featuring original vocalist satoko ishimine. the singer is a well-known performer in her native japan, having released a number of acclaimed records on toshiba emi throughout the 1990s.

stl on smallville always means something special- fully-functional for the dancefloors worldwide but always poly-rhythmic, full of cryptic surprises and with the iconic stltwist. youll be caught within just a beat. full cover artwork as always by stefan marx.

2017 repress ... john talabot reiht sich in den erlesenen kreis der dj kicks compilations ein. oriol riverola aka john talabot gehoert aktuell zu den gefeiertsten djs und produzenten. eine feine house selektion , von raw chicago to deep house.... gatefold cover , 2x 12 inch vinyl incl cd

it’s hard to get a handle on nigerian musicians nash dodoo, charlie cuul and jonas caulley. in 1980 they released an album of face-melting gospel boogie as the bml chapels. and in the same year, calling themselves the beta yama group, they put out free love, a belated love letter to san francisco’s summer of love and an album altogether focused on more worldly concerns. free love is a small slice of haight-ashbury transported to the polygram studios in lagos. ‘te revoir’ is mamas and papas jamming with sergeant pepper’s beatles. ‘free love’ offers a respectful nod towards je t’aime-era serge gainsbourg. sure, ‘revolution’ gets hard and funky and ‘rain’ flirts briefly with a calypso reggae sound, but the majority of the album is cheesecloth and flowers in your hair. insanely rare – and worth buying for the freaky cover art alone – free love is a funky, reverb heavy call for love, peace and sweet, sweet loving. what more could you want from an album?
(peter moore)

a bona-fide nigerian prince and probably the only musician to have ever played with fela kuti, miles davis and bob marley, eji oyewole combined african highlife with western jazz to create a hybrid so that was as smooth as it was funky. his first album, charity begins at home was an angry tirade against corruption in nigeria. me & you is his ‘relationship’ album, a brighter and happier set of songs that sees eji all loved up, presumably with the mysterious ‘cameleon’ featured on the cover. eji’s flute is no longer a strident voice raised in anger. instead, on ‘me & you’ and ‘i’m a dancer’ it is a playful line of seduction. on the wonky and woozy ‘eniafelamo’ his sax is a post-coital salutation. even the one political track, ‘long live nigeria’, is a loved up call for peace, progress and trust. chilled, assured and dexterious, me & you is a sophisticated showcase of eji oyewole’s chops. ‘this is the beginning of an atomic musical evolution,’ he declares on the cover. ‘brothers and sisters, stay cool.’
(peter moore)

retrogott is back on ava. records! following funky beats and a green petrol bus, here comes funky beats and a supersonic turbojet: fresh as usual in a hand stamped color cover!

studioalbum nr 14, including *where’s the revolution*.
2x12 inch vinyl , pressed on 180gr, music on 3 sides. 4th side will be etched artwork, . housed in gatefold cover.

wata igarashi’s ciphers ep (mdg006) out in march 2016 is getting reworked. the artist involved were carefully chosen together with wata igarashi after some friendly exchanges during his last visit in europe. we want to deeply thank nuel, yves de mey, orphx, shawn o’sullivan, r²&#960,,,,, and ruff cherry for taking part to this project and giving their amazing contribute! the black vinyl comes with full artwork cover.

wata igarashi’s ciphers ep (mdg006) out in march 2016 is getting reworked. the artist involved were carefully chosen together with wata igarashi after some friendly exchanges during his last visit in europe. we want to deeply thank nuel, yves de mey, orphx, shawn o’sullivan, r²&#960,,,, and ruff cherry for taking part to this project and giving their amazing contribute! the white vinyl comes with full artwork cover.

they release a cover of the -seasons are sitting on chairs- from arvid tuba and a few great songs like -just be happy-. as we love the insane modernity of these two songs we decided to release them on prego and asked dmitry distant to remix this happiness anthem. all songs are remastered for vinyl by isolator, housed in a jacket designed by anda masq & rodeo basilic.

it really feels like we (aka mad mats & tooli) have been around way longer than 5 1/2 years with local talk, but it s really true what they say, time flies when you re having fun! from what started as a somewhat simple and almost primitive urge to create a small house imprint has now grown into a much bigger affair. we really tried hard to keep the label from getting stuck in any genre (remember 90s house?) and to always keep the local talk relevant, curious, diverse and with a healthy dose of underground mentality. from our very first release with bassfort s excellent moon shadow in the summer of 2011, we had a crystal clear vision of what local talk should represent... house music in any way, shape or form! over the years we released soulful, disco, jack, afro, vocal, deep, jazz, tech, latin, old school, acid, uk, berlin, new jersey, detroit and of course chicago inspired house music. if it made us bump...we put it out! this brings us up to today and about +80 releases later. we thought about how we best could sum up these first 5 1/2 years and immediately the image of blaze s classic album 25 years later popped up. besides the fact that it s an amazing album cover it also a good representation when different musical genres fuse together. it s not strictly a house album but just as well a r&b, reggae and soul album. this fusion and variation of house sounds is something that we ve tried to capture on our 5 1/2 years later compilation, split into two parts. on part 1 you ll find a dark bassline driven house jam from art of tones (check the mad sax!), a proper deep journey jam from nyc s dj spinna, a blaze homage with that classic new jersey sound from sean mccabe, and a bumpy world/jazz inspired cut straight outta brescia from wonder kid corrado bucci. all in all we think we got most angles covered and hopefully this album will make you spread that chalk on the dance floor and get down...local talk style!

nyc-based duo jasmine golestaneh and eddie cooper write songs through a telepathic kinship thevve developed since they started making music together. we have these sort of unspoken criteria when we re writing music. we never really need to explain what that is but we both know when it s missing or when we ve hit it. the pair, aka tempers, are set to release their fundamental fantasy ep via the vinyl factory on 24th february. creating an emotional and tonal tension of sensual and mechanical impulses, their brand of dark electronica sets haunting song writing to a sinister disco beat, pop melodies floating in an almost industrial soundscape. it follows the bands 2015 debut full-length services. fundamental fantasy is about exploring the creative scenery of romantic illusions. our need for them, how we justify them to ourselves, that moment when the imagined story line collides with reality. the ways we fictionalize people to fit into the narratives we have about love - to reflect our own beliefs, virtues and flaws. it is about celebrating fantasies swelling and getting undone, so we can pick up the pieces and craft new ones that serve us better tempers musically, fundamental fantasy is an evolution in both song writing and process, while still tracing a clear line to their earlier output. many of the eps melodies were born of live improvisation, which helped them create an instinctive, natural immediacy within their electronic arrangements. the cover of the ep depicts the duo on the volcanic island of stromboli, where they performed at the volcano extravaganza, an art and music festival curated by the vinyl factory.it is a perfect landscape to mirror the mood of ‘fundamental fantasy. a seemingly idyllic place that is isolated from the outside world.

ahead of the release of a full length album by the same title, honey soundsystem records presents 3 breakout tracks on 12- vinyl from octo octa s -where are we going?-. side a features the -new school- breaks pumper -move on (let go) (de-stress mix) and the peak-time synth heavy tear jerker -on your lips.- on the flip we share the 9 and a half minute aquatic house opus -where are we going? pt. 2- “do you feel better?” — is the line maya bouldry-morrison aka octo octa repeats like a mantra on the final track of “where are we going?” her newest and second studio lp. “it was the question every single person asked me after coming out as transgender,” she told us “overall i do, but no, i don’t feel better at every moment, which is why the track slips out with a dour bass drone in addition to a beautiful pad. these days, both emotions are ever-present for me.” it is precisely this candor and intensity that immediately drew us in when maya sent over the lp to consider for the honey soundsystem label. as djs we are always looking for music that can speak in our sets, not just the highest caliber productions, but songs that represent the changing landscape of the queer dance-floor. “where are we going?” reads like a diary. with track titles like “no more pain (promises to a younger self)” and “move on (let go) (de-stress mix)” you can’t avoid the autobiographical messages of these songs, but maya leaves no booty un-shaken - this is still 9 four-to-the-floor house and techno beauties to rock your body. her willingness to even model for the cover art of this lp, proved this is a side to octo octa we ve never seen or heard before, an artist ready to let her fans experience an intimacy as deep as the synths and lead lines she has gained notoriety for. applying her years of international dj’ing, this album flows with intention and has effortlessly found its way back into our headphones and home stereo systems repeatedly - pro-tip: you can even have sex to it. needless to say this is the first time in a decade honey soundsystem has thrown itself at a contemporary lp and we know once you hear it, you will know where we are goin

limited deluxe edition vinyl release in gatefold sleeve with double cd included. cd1 included in the vinyl features the same tracks in the same order. cd2 features the same titles but demo version in the same order as the studio album.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicides second album, and the elegant melancholy of the national.

standard vinyl release in gatefold sleeve with album cd included.
the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicide’s second album, and the elegant melancholy of the national.

sonthaya kalasin was the male lead singer in in the molam section of legendary producer/ impresario surin paksiris beloved musical troupe thidso lam phloen. these recordings, the very best of kalasins work with paksiri, cover the period from the mid-70s to the early 80s and showcase kalasin s mastery of the traditional male molam lower vocal range.

for the fourth release shaw cuts lines up five shaolin commanders who created their own interpretations of farrons death duel ep: marco zenker, russian duo poima, roger 23 and simo cell. these heavies form the shelter clan whose mission is to cover ah chis back wherever he goes. marco zenker gives we dont make no sense his signature machine funk that decimates challengers in one swing. ah chi can always count on marcos sword. poima from moscow rival with sabers, severing those who dare to cross their path. their version of tangency is lead by a dirty break-beat drum combo blazoned by cosmic synth melodies and warm machine derangement. centro on the b-side gets heavily grimed by veteran roger 23 whose axe is as heavy as his remix style in general. beware of roger! armed with tonfas, simo cell layers par 2 with a complex and fresh-sounding groove, causing lethal devastation to enemy combatants. ah chi is well-shielded by his companions and still unbeaten to this day. trust in the shelter clan!

late last year music for dreams released the digital album -debut- by bongo entp. this passion project from veteran studio session player jacob andersen brought us an unexpectedly fresh take on south american music traditions. on this new vinyl release, the project is both revisited and expanded upon. cherry picking some of the grooviest cuts from the album for this ep, we also get remix treatments from well sourced collaborators selvagem & carrot green. both hailing from brazil, these producers certainly know how to work latin percussion on a dancefloor. taking on the dreamy cover version of henri mancini’s classic -lujón- (original included too), carrot green ups the tempo and wrangles the elements of the original into something completely different. adding a house kick and dark acid undertones, he takes you on a wet trip with lots of twists and turns. the production duo of selvagem manage something similar with one of the looser bongo entp. jams. the original -foto feita do aviaõ is a jazzy scat sinaalong tune. in selvagem’s hands, it turns into an epic cosmic disco groover, locked into place by a muscular baseline. the vocal chants of the original are here, but used in a lower key and more sparingly to punctuate the bounce of the rhythm. the vinyl includes two other album highlights - the cafe del mar classic -el rey de pollo- , a santana-style chill-out affair featuring mikkel nordsø of bombay hotel fame and finally the moody -spanish winter- with its robotic reggae-like groove and syrup-thick synthesizers bubbling in a bittersweet fashion. a superb package.

music, cover and all creation comes from the woods of sweden. a place called studio cosmos. this is the home of marcus henriksson aka minilogue, son kite, nobody home. a place situated far away from modern cities and neighbours. it is here these frequencies comes from.

ak €2 are eight fusion-jazz and ambient tracks, recorded by di erent cologne-based musicians, composed and arranged by gianni brezzo. the record comes in a crayon painted cover showing a holiday landscape with beach, sea, mountains and two sunshades.

roger 23, orson wells, pablo mateo and leaves deliver their versions of previously released tracks on 777. this limited double digit remix rally comes in a silk-screen printed cover!

claremont 56 has always had close links with japan’s vibrant music scene, with founder paul ‘mudd’ murphy making annual trips for djing and live performances. it’s perhaps unsurprising, then, that the label’s latest limited-edition vinyl release comes from japanese outfit okinawa delays, a project founded by producer, dj and long-time friend of the label takeo.
some of you may already be familiar with okinawa delays thanks to 2016’s hana, a cover of a popular 1995 j-pop hit featuring original vocalist satoko ishimine. the singer is a well-known performer in her native japan, having released a number of acclaimed records on toshiba emi throughout the 1990s.

great 1988 summer of love old school acid house release, recorded with analog machines tr909, tr808, tr707, tb303, sh101, juno106, dr.boss220, korg ms2000. pressed in random acid colours, including full color info/cover sheet. recorded by joppy mister & hennie v. from well known dutch vinyl acid label and former record shop boss. marvellous oldschool acid house tracks in limited edition hq vinyl pressing. bass ik records vs. dance drugstore records – vinyl only!

matrixxman has been a dekmantel regular for a couple of years now. the san francisco producer continues to impress with a new triptych for dekmantel records. over the course of three eps (rhythm, acid, polyphony), charles mccloud duff displays his versatile and original take on house and techno. the concept of the triptych is to explore the range within the confines of a particular limitation. this second ep sector ii: acid- shows an exercise in acid. similarly, the tb-303 may conjure certain knee-jerk reactions at a glance, but acid has the potential to cover a broader palette of emotion than one might initially expect. sector ii holds three squirming 303 sequences and the classic rhythmic drum programming of arrival, bad acid and i am matrix. rites on the other hand is more subtle and fluent, swinging with hazy acid flourishes and dynamic syncopation.

nach ihrem ersten generationsübergreifenden zusammenarbeit, “late night endless” (2015), begeben sich die beiden protagonisten zu spannenden, neuen soundexkursionen in eine vielzahl von subgenres wie nervösem funk, industrial-drone, jungle-rave, cosmic (zu gesprochenen weisheiten von dub-meister lee “scratch” perry), furiosem synth-grime und trägem breakbeat (im cover von ryuichi sakamotos “merry christmas mr. lawrence”). neben lee perry begrüssen sherwood & pinch auf “man vs. sofa” weitere illustre gäste wie martin duffy (primal scream), taz (dizzee rascal) und skip mcdonald (sugarhill gang, tackhead, little axe).
doppel-vinyl im klappcover, downloadcode inklusive.

wir befinden uns in einer künstlerischen renaissance. wir haben unsere ausdrucksform geschärft. im februar 2017 erscheint dear bigotry, das neue album der norwegischen indie-band einar stray orchestra. das neue werk der band um sänger und pianist einar stray entstand im letzten winter auf einer insel an der nordwest-küste norwegens. während vor den studiofenstern stürme wüteten, nahmen die fünf bandmitglieder zusammen mit den produzenten marius hagen (frontmann von team me) sowie rumble in rhodos-gitarrist oyvind rosrud die zehn stücke ihres dritten albums auf. -die neuen songs drehen sich um doppelmoral, eine hassliebe zu oslo sowie neue aspekte unserer religiösen erziehung. die maximalistische klanglandschaft wurde beeinflusst von allem zwischen arabischem folk bis lana del rey,sagt die band. dear bigotry- erscheint am 17. februar 2017 auf sinnbus. ausführung lp: lp auf burgunderrotem vinyl cover auf dickem karton, inc.download-code (mp3, 320kbit/s)

3 years ago, superpitcher made this mesmerizing remix of joakim s cover of neil young s on the beach. the buzz was instant, with djs from dixon to tim sweeney, dj tennis to mike simonetti asking us for the files of this extended deep techno cut. 3 years later we re finally releasing it as a joint crowdspacer / hippie dance release with an additional 20min long (!!) incredible ambient mix.

this record collects many intimate things and singular ideas about voiski, it is also an excellent synthesis of his musical style, and how it is evolving towards a more and more unknown territory, where his -post-trance- idea collides classic detroit influences, 90 s techno (with that underworld cover obviously) and a very unique sonic identity he has developed playing his synths with a bright and powerful sound design, and rich arpeggios.

(12inch vinyl individually hand stamped center labels, and front cover) with this offering - his second for otb records - lockyear strives to balance the three daunting pillars of the human condition. evolving the inventive palette heard on his debut, wave knowledge ep explores the connection between body, mind and soul.

mysterious acid project. amazing spacey cutz from another world. special handmade silverprinted cover.

this is the first time that the 13th floor s stepping out has been reissued on vinyl, fully remastered from tk s original tapes, represented the way the the lp was issued in 1977 with all original cover and label artworks intact. now, almost 40 years after its original release the album has now been made available again for 2016, fully licensed in conjunction and with the full permission of henry stone music / tk disco, miami, fl.

diego krause and idealist team up for berg audios fourth release. the ep entitled >altitude< also features perfectly executed remixes by cab drivers & sven weisemann. cover artwork by the berlin based artist juli jah inspired by a well-known monument located in bulgaria named >buzludzha<. vinyl only & must have !